3.2.2.1

Poetry: Love and Relationships

Fifteen poems on love, family and separation, examined by comparing one printed poem with another of your choice.

About 18 minutes to read

3.2.2.1The cluster at a glance

The cluster ranges from Romantic and Victorian poems such as 'When We Two Parted', 'Love's Philosophy', 'Porphyria's Lover', Sonnet 29 and 'Neutral Tones' to modern poems including 'Follower', 'Mother any distance', 'Before You Were Mine', 'Winter Swans', 'Singh Song!' and 'Climbing My Grandfather'. Roughly half concern romantic love and half family relationships.

dramatic monologue
a poem spoken by a character who is not the poet, used in 'Porphyria's Lover'
volta
a turn in a poem, often between the octave and sestet of a sonnet
conceit
an extended and elaborate metaphor, as in Sonnet 29's vine and tree

3.2.2.1Useful pairings

Obsessive or controlling love: 'Porphyria's Lover' with 'The Farmer's Bride'.

Parents and children: 'Follower' with 'Mother any distance', 'Walking Away' or 'Eden Rock'.

The end of love: 'Neutral Tones' with 'When We Two Parted'.

Happy or celebratory love: 'Singh Song!' with 'Winter Swans'.

3.2.2.1Themes

The cluster sets kinds of love against each other rather than celebrating one. The most productive comparisons are between poems that treat the same relationship from opposite ends, such as a parent letting go and a child looking back.

Common mistake

Choosing a comparison poem on the day. Decide your pairings in advance for the three or four likeliest themes, so the exam is about analysis rather than selection.

3.2.2.1Poets' methods

Form carries meaning throughout: the sonnet's turn, the dramatic monologue's self-incrimination, the free verse of the modern poems against the regular stanzas of the older ones. Compare form directly rather than describing each poem's form separately.

Worked example

    Answer:

    • Compare form directly, not poem by poem
    • Decide pairings in advance for the likeliest themes
    • The cluster contrasts kinds of love rather than praising one
    • AO3 is six marks, so context supports rather than leads

    AO1-AO4How this text is examined

    This text is examined in Paper 2, Section B. The question is worth 30 marks and one poem from the cluster is printed and you compare it with one other poem of your choice from the same cluster. Allow about 45 minutes.

    The marks are divided as AO1 12 marks, AO2 12 marks, AO3 6 marks. AO1 rewards a clear argument supported by well-chosen references. AO2 rewards analysis of how the writer achieves an effect, which means writing about choices rather than about events. AO3 rewards context used to deepen a reading of the text.

    Common mistake

    Retelling the plot. Narrative summary earns nothing under any assessment objective, however accurate it is. Every paragraph should be making a point about how or why, not about what happens.

    Now practise it

    Reading is the easy half. Answer questions on 3.2.2.1 Poetry: Love and Relationships and find out which parts you actually know.